women writers

April 2021 Virtual Book Tour — Carmen Amato

| C.E. Flores
 
Carmen Amato_best

I’m originally from New York, went to college in Virginia and Paris, and my husband’s job took me to Mexico 17 years ago. While we live in the US now, the years we spent in Mexico were life-changing, mostly because what I saw and experienced there inspired my writing. I’m now a full-time mystery and thriller author, best known for the Detective Emilia Cruz police procedural series set in Acapulco.

My notions of Mexico City were rather naïve before we got there. I didn’t realize what a huge city it is, or what big gulfs there are between social classes. An early lesson came from a mother whose children rode the same school bus as mine. Her chauffeur drove her to my house because we were the first stop and their house was the last. The mother wanted her kids to have the experience of riding the bus, but not too much. So they got off at our house and were chauffeured the rest of the way home.

Later, the woman took pains to put our Mexican housekeeper in her place, lectured me for being too lenient with the hired help, then asked me to help her maid get a visa. I declined and never saw her again but unfortunately met many more women like her. Great for fictional character development, not so great for Mexico’s social stratification.

Little customs, like tipping the attendant at the Pemex station or kid who wheeled my grocery cart to the car, took some getting used to. Was this a cultural norm or ripping off a clueless gringo? I found myself assessing many probably innocent encounters.

The traffic terrified me at first, too. Being able to get around by myself was essential and I was determined that the city streets would not defeat me. A major victory came on the day I decided to take the kids to the zoo to see the pandas. I initially didn’t realize that you can’t drive into the zoo itself. We finally parked somewhere in Chapultepec Park and walked, which turned out to be the exactly right thing to do. We saw the pandas and headed into the Zona Rosa for lunch. I parked on the street near the fancy San Angel antiques market. A man with a red rag popped out and assured me he’d keep the car safe. We walked a bit, discovered VIPs and its famously undrinkable coffee. When we got back to the car, I found that I’d left it unlocked! But the man was there and nothing bad had happened to either us or the car. I knew then that Mexico was going to be a good experience.

Being Catholic helped and opened doors that might have been otherwise closed. I loved the way Mexico celebrates the rhythm of the church calendar, the glory of the feast day of the Virgin of Guadalupe, the floral vendors in front of the big cemetery on the rim of Chapultepec Park. I was very involved in the English-speaking church, Saint Patrick’s, but also attended the local church in the Lomas de Chapultepec neighborhood.

My Spanish was non-existent when we moved to Mexico but having to fix up our house forced me to learn rapidly. One of the first things I did was to sit down and write out numbers up to 100 so I would understand prices. Not only did I have to negotiate for cleaning and gardening services but painting, custom curtains, plumbing—you name it. The Newcomer’s Club and weekly immersion lessons saved me!

The children’s school was another reason to learn the language. The children attended the American school, which meant half their lessons were in English and half in Spanish. We got a tutor to help the kids and I took lessons, too. The school’s administration and most teachers were Mexican and many preferred to hold parent-teacher sessions in Spanish.

The security situation in Mexico City was a low-simmering and ever-present concern. We had a hard and fast rule for the kids: no talking getting into or out of the car. This is when it is most easy to be distracted. We had some close calls; would-be robbers were scared off by our dogs, our car suffered minor vandalism, and I was followed around a store. But I think being very vigilant helped us avoid any real trouble.

I had several defining moments in Mexico but the one I recall most clearly was when I was driving back from the big mall in the Santa Fe suburb. I’d had a run-in with a snarky salesgirl in Liverpool. She’d taken something I’d tried on, five minutes later didn’t know where it was, and bottom line, I walked out of the store empty-handed. This was a common occurrence, that and being unable to complete a purchase because the person with the key to the cash register wasn’t there, or the cash register didn’t have change. Using a credit card was generally out of the question; every time I did the credit card company would put a hold on the card. I called them weekly to explain that I lived in Mexico—please see the mailing address—but it never mattered.

So I’m driving out of the mall and the afternoon sky darkens to lead. Sheets of water pour down, deafening me as the rainstorm pounds on the roof of the car. I’m already frustrated and angry and now I’m scared, too. I begin to cry in the car while repeating my mantra, “This city will not defeat me.” I pull up at a red light and there’s this Madonna-looking girl standing in the median, with a thin rebozo over her head, carrying a baby.

Now I generally did not give to street beggars–warnings had gone out advising not to give because beggars are an organized syndicate or in league with criminals who will approach the other side of the car to rob you. Yet today, as it’s slashing rain and I’m sobbing, I realize that my life is pretty good after all. I roll down the window and give her 200 pesos.

If I could do my Mexico experience all over again, I’d travel more. I never made it to Guadalajara or Copper Canyon or Baja. I also would buy more Otomi embroideries and painted alebrijas.

But with my books, my life is now inextricably linked to Mexico. I know I’ll visit many more times.

I owe Mexico a debt of gratitude because I doubt my writing career would have come together the way it has without those high/low, sweet/salt years of experience. It took me about five years to distill it all into my first novel, THE HIDDEN LIGHT OF MEXICO CITY, a Cinderella story set against the backdrop of cartel drug smuggling and Mexican presidential elections. Next came the Detective Emilia Cruz series which in 2016 was optioned for television by a major US network. I don’t know if the series will actually come about but if it does, I hope it is as authentic as I have tried to make my books.

Thanks so much for hosting me. Readers are invited to join me at any of the links below:

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Carmen Amato (also known as me) writes romantic thrillers and the Detective Emilia Cruz mystery series. Emilia is the first female police detective in Acapulco. She can take the heat. Can you?
 
Essentials
 
“Danger and betrayal never more than a few pages away.” — Kirkus Reviews 
 

A Room of One’s Own by Virginia Woolf

| C.E. Flores

Over the years, I’ve heard much of A Room of One’s Own by Virginia Woolf. I agreed with oft-quoted passages. I thought the idea of Shakespeare’s literary sister Judith intriguing. But I never took the time to read it. I was a bit put off by the very feminists quoting dear ol’ Virginia. I didn’t consider myself THAT radical.

Now that I’ve entered middle-age, I decided that I was that radical after all and reading it proved that I was indeed without a doubt.

Ms. Woolf wrote this extended essay in 1929 and the thoughts contained herein were undoubtedly shocking at the time. She maintained that women didn’t have the means nor the time to be able to pursue writing of any kind with a few notable anomalies. She mentions the Bronte sisters, Dorothy Osborne, Jane Austen, George Eliot and Lady Winchilsea as exceptions having both the education and means to become writers. 

She also proposed that the best writers were androngynous, although I wasn’t entirely convinced by her argument on that topic. I believe that a talented female writer is better able to write about experiences unique to women than an equally talented androngynous male writer. 

So how much of what Ms. Woolf wrote is true today? Certainly we’ve progressed to the point where women have the time and income to devote themselves to writing books, haven’t we?

It seems there are still some gender bias when it comes to publishing. (See Bias, She Wrote:The Gender Balance of The New York Times Best Seller list) Books about women win fewer literary awards. (See BOOKS ABOUT WOMEN DON’T WIN BIG AWARDS: SOME DATA) The majority of literature studied in high school was not written by women. (See Here’s The Problem with White-Male-Centric School Reading Lists) 

So even though there are more women writers, I can’t say that all things are equal yet.  Would you?

Whether you consider yourself radical or not-so-radical, A Room of One’s Own by Virginia Woolf is well-worth a read.

How many of the women writers on this list have you read? (See 50 Great Women Writers) I’ve read 21. 

Write Your Book at Fifty: A Call to Women- Discover Your Voice, Open New Doors, Create Your Legacy by Jeanette E. Martin

| C.E. Flores

According to Joseph Epstein, “81 percent of Americans feel that they have a book in them — and should write it.” (200 Million Americans Want to Publish Books, But Can They?)

Jeanette E. Martin’s book Write Your Book at Fifty: A Call to Women — Discover your voice. Open new doors. Create your legacy. will inspire you to leave behind the masses and join that small percentage who don’t just dream about writing a book, but do it!  

Being a woman, and being fifty years old, you’ve already done incredible things, things more difficult than writing a book. So what’s stopping you? Fear? Inexperience? Self-doubt? Time? All of those are just excuses. You are worthy. You are capable. You have something to share. You can leave a legacy behind.

While I’m not 50 yet, I am approaching that age. I’ve also just recently begun publishing books. There has been a huge learning curve as I master each technical aspect of publishing, let alone the writing part. I was incredibly inspired after reading Write Your Book at Fifty to keep at it, despite the challenges.

After all, look at the company I keep!

Mary Ann Evans, AKA George Eliot, published her first novel, Adam Bede, at age 40. Annie Proulx, published her first novel, Postcards, when she was 57.  Laura Ingalls Wilder published the first book, Little House in the Big Woods, when she was 65. (15 Famous Authors Who Were Published After 40)

Toni Morrison, published her first novel, The Bluest Eye, when she was 40

Helen DeWitt published The Last Samurai at 41. Anna Sewell published Black Beauty when she was 57. (14 Brilliant Authors who Didn’t succeed until Way after 30)

Elizabeth Jolly published her book of short stories Five Acre Virgin and Other Stories at 53.

Marjory Stoneman Douglas published The Everglades: River of Grass at 57.(Famous Authors Who Were First Published After 50) Harriet Doerr published her first novel, Stones of Ibarra, when she was 74. (11 Writers Who Started Late)

So if you are at all toying with the idea of writing a book, pick up a copy of Jeanette Martin’s Write Your Book at Fifty and get started on your dream!